ShotPlots

Lighting plot & blocking diagram software

Block it, light it,
hand it over.

A ShotPlots plan of a 6.5 by 4.5 metre kitchen. Two cameras, one with its angle-of-view cone. Four fixtures at different colour temperatures, a 3200K fresnel, a 5600K panel through the window, a 4300K tube and a 2700K practical on the counter; each throwing a tinted wash. A flag, G1, cuts the panel's beam. Two actors, Maya and Joel, with numbered blocking positions joined by dashed paths. A counter, a table and two chairs, all at real size.
On screen · Late Shift · Kitchen, night · Shot 4 2 cameras · 4 fixtures · 1 flag · 5 marks

A director blocks the scene. A DP drops the cameras. A gaffer changes the rig. All on one page, to scale. Then out as a PDF the crew can read on set without you standing over them.

Read the PDF it makes See the scene

Opens in a browser tab, nothing to install, no account, no signal needed once it has loaded
Free to use · $19 unlocks clean, whole-project export

01 · What the crew actually gets

Start here, because this is the only part that leaves your screen. It is a real export, not a picture of one: three A4 pages, pure vector, with the room dimensioned, a symbol key, a per-object schedule and a scale bar. Page through it, select the text, download it.

This browser will not open a PDF inside a page.

The file is right here, three A4 pages, 257 KB.

Open the plan
Genuine export · 3 pages · A4 landscape · vector Download the PDF · See the scene it came from

Fixture names, trim heights and colour temperatures are on the page: ARRI 650 Fresnel · 2.4 m · 3200 K, so a spark can pull the right units off the truck before walking into the room.

02 · Three people, one page
Writes it first

The director

You are working out the scene the night before. Where does she stand when she says it, where does he go, and does the room even allow the move you have in your head.

You do not want a lighting package. You want a rectangle, two dots and a line between them, fast.

Draws the room · drops the actors · marks the moves
Picks it up next

The DP

You open the director's file and put the cameras where they actually go. The cone tells you whether the 24 mm clears the doorway and what falls in frame behind them.

You add the key, the fill and the edge, and now the plan says something about the picture.

Places cameras & lenses · sets the key · sizes the throw
Rigs it on the day

The gaffer

You get a page with fixture names, heights, colour temperatures and a schedule: enough to pull the right units off the truck before you walk into the room.

Want the key two feet left and a flag on the back wall? Open the same file and move it. Editing is free for everyone, forever.

Reads the PDF · swaps fixtures · flags the spill
03 · Anatomy of a plan
The same kitchen plan, annotated with eight numbered callouts covering the room and its openings, the named fixtures, colour temperature, light throw, the flag cutting the beam, actor blocking marks, the camera's angle of view, and furniture drawn at real size. 1 2 3 4 5 6 7 8
Detail 03 · Annotated Hover a row to find it on the drawing
  1. 1

    The room, and the ways into it

    One ordered wall outline, not loose lines, so the shape stays honest. Cut in doors, windows and plain gaps: the door swings into shot, the window is where the daylight comes from.

  2. 2

    Fixtures with names, not dots

    Twelve symbols in all: ten fixture families, a generic light for before you have decided, and the sun. Each is drawn as the top-down shape of that kind of unit at its real size. Type the actual model yourself and it prints in the schedule with its height.

    • Generic
    • Fresnel
    • LED panel
    • Tube
    • Open face
    • Practical
    • China ball
    • Softbox
    • Space light
    • Ring light
    • HMI
    • Sun
  3. 3

    Colour temperature, per unit

    Each lamp tints to its Kelvin value and prints the number. This plan runs four at once: 3200K key, 5600K daylight, a 4300K tube, a 2700K practical. So the mixed-source problem shows up before you are standing in it.

  4. 4

    Throw that fades with distance

    A light throws from its whole emitting face, so a four-foot tube spills from its full length rather than a point. The wash fades as it goes, because it is a guide, not a photometric claim.

  5. 5

    Grip that actually does something

    G1 is a flag, and the beam behind it is genuinely gone: not a symbol sitting on top of the light. Silks and nets spread the beam instead of removing it.

  6. 6

    Blocking, on the lighting plan

    Maya crosses three marks; Joel moves once and turns. Later positions draw faint, joined by a dashed path that can bow around a table. Same page as the lights on purpose, that is how you spot an actor crossing their own key.

  7. 7

    The camera's actual angle

    Pick a lens and the cone matches it for your sensor. Swap 35 mm for 24 mm and it opens up while you are still at a desk. Cameras carry blocking too, so a push-in is a mark, not a margin note.

  8. 8

    Furniture at real size

    Twelve named interior pieces, nine exterior, and seven plain shapes plus a free-form custom box for whatever nothing fits. A 1.6 m table is 1.6 m, the only way "can the camera get behind it" is answerable on paper.

04 · Five minutes, first time, no manual
A screen recording of the real app, looping: the room, the furniture, fixtures picked from the strip, grip, actors, then blocking and turns. Use the controls to scrub it. The five minutes below is the bar the tool is designed to; this shows what the work actually looks like.

The bar this was built to

Somebody who has never seen it draws a room, a camera, three lights and two actors and exports a PDF: under five minutes, nothing to read first. Every feature is judged against that sentence; anything that slows it down gets cut.

  1. 01
    Drag the roomOne drag, with a live width-by-height readout.
  2. 02
    Click in the cameraOne click. Pick a lens; the cone matches it for your sensor.
  3. 03
    Pick the real fixturesTwelve along the top. Leave one generic, or name the actual unit.
  4. 04
    Drop the actorsOne click each, own colour. Blocking mode adds numbered marks.
  5. 05
    ExportOne scene or the project. A4, A3 or US Letter, vector.
05 · What the software looks like
The ShotPlots editor: a tool column down the left with Select, Actor, Camera, Light, Grip, Prop, Wall and Opening; the kitchen plan on a grid in the middle with tinted light throws and blocking paths; and a Key panel on the right listing every object with its fixture, height and print toggles, above a Notes box.
The whole editor. Tools down the left, the plan in the middle, every object in the scene listed on the right: click a row to jump to it, hover to highlight it.
The ShotPlots properties panel open on a light, showing fields for name, note, type, fixture, model, height, a colour-temperature toggle with a Kelvin preset and value, a show-throw toggle, and throw shape and angle controls.
Click a thing, get its controls. Name, model, height, colour temperature, throw shape and angle: all in one panel on the object you clicked, with a live preview on the fields that draw.
06 · Price
One payment, no subscription

Drawing is free and always will be. Every fixture type, blocking, furniture, grip, as many scenes as you like, saving and opening files; no limits, no clock. Free exports go one scene at a time and carry a small watermark in the bottom margin, beside the drawing, never across it.

$19 USD, once, drops the watermark and lets you export the whole project as one paginated PDF, on every machine you work on. No account, no renewal, nothing of yours stored anywhere. See what is in each.

See what is in each Look at the output first